Attend Laura Falzon’s upcoming events, and browse her extensive library of past events, from concerts to masterclasses, all over the globe.
Issa Sonus presents Laura Falzon, flute, with The Bleecker St Quartet – Machiko Ozawa, violin; Lynn Bechtold, violin; Edmundo Ramirez, viola; Jisoo Ok, cello; and Troy Rinker, doublebass.
Mauricio Kagel’s Pan for piccolo and string quartet, Alberto Ginastera’s Impressiones de la Puna for flute and string quartet and Erwin Schulhoff’s Concertino for flute/piccolo, viola and doublebass.
St. Peter’s Church concert series
Dawn Padmore, soprano; Laura Falzon, flute; Steve Beck, piano.
Franghiz Ali-Zadeh’s Three WaterColours for soprano, flute and piano and New York premiere of Andrea Clearfield‘s Gaia for soprano, flute and piano and Reza Vali‘s Persian Suite for flute and piano.
Music on Wednesdays concert series
Shirish Korde‘s Anusvara for bass/alto flute, Munir Beken’s Pottery shards for flute and piano (New York Premiere); Nickos Harizanos‘s Stasima for solo flute (US Premiere). Laura Falzon, flute; Aysegul Durakoglu, piano.
Laura Falzon presents a Composers Seminar Composing for the Extended Flute in the University of Pittsburgh’s Department of Music.
Laura Falzon, flute and Robert Frankenberry, piano.
Issa Sonue ensemble – Laura Falzon, flute; Emily Ondracek, violin; Edmundo Ramirez, viola; and Aminda Asher, cello.
Works by Aaron Copland, Katherine Hoover, Hilary Tann, Margarita Zelenaia and Binette Lipper and Andrew Norman.
New York premiere of Munir Beken’s A Turk in Seattle, Andrew Norman’s Light Screens and works by NY Women Composers – Binette Lipper’s Interludes, Margarita Zelenaia’s Homage II, Katherine Hoover’s Divertimento, and Llef by Hilary Tann.
Issa Sonus ensemble: Laura Falzon, flute; Emily Ondracek, violin; Edmundo Ramirez, violist; Aminda Asher and Adrian Daurov, cello; with Moran Katz, guest clarinettist.
Baruch Performing Arts Center presents Sounds New Chamber Music Series curated by Laura Falzon and produced by John Malatesta.
Christina Ascher, contralto; Laura Falzon, flute; and Laura Barger, piano.
A vibrant program of compositions of the 20th and 21st centuries where voices and ever more voices – earthly, ethereal, mythical, narrating, singing, laughing, chirping and always full of life – call to one another, lure, narrate and reflect human and animal experience. Snail meets Siren, Water Spirit meets Sparrow, Voice meets Voice.
Features the world premiere of Siren’s Song by New York composer Theodore Wiprud.
Program: Berio Luciano: Sequenza III for solo voice; Dmitri Smirnov: Six Haiku
Theodore Wiprud: Sirens’ Song*; Mark Carlson: Night Will Blossom; Toru Takemitsu: Voice for solo flute; John Cage: Sonata for two voices; Bojidar Spassov: Otletela preperuga—The Pierides VI (*World Premiere).
Sounds New Chamber Music Series
Christina Ascher, contralto; Laura Falzon, flute; Ted Mook, cello.
Works by Reza Vali, Michael Oesterle, John Cage.
US premiere Dai Fujikura’s “sweet still” for contralto, bass flute and cello.
World premiere of Alice Shields’s new version of Komachi at Sekidera written for Christina Ascher, Laura Falzon and Ted Mook.
World Premiere of Caspar René Hirschfeld Out of Cage written for Christina Ascher and Laura Falzon.
Ear Heart music series
Baruch Performing Arts Center presents Sounds New Chamber Music Series curated by Laura Falzon and produced by John Malatesta.
Chamber Opera by Brian Schober, libretto by Richard Olson, Conductor Claudia Dumschat,
choreography by Lynn Neuman and scenic design by Brian Ireland. World Premiere performance.
A neXus Arts production.
Baruch Performing Arts Center presents Sounds New Chamber Music Series curated by Laura Falzon and produced by John Malatesta.
Du Yun narrator, iO Quartet, Laura Falzon flute, Chris Gross cello, Steve Beck piano.
Dai Fujikura Poison Mushroom, flute & electronics; Babbitt Dual, cello & piano
Saariaho Cendres trio for flute, cello & piano; Volans Walking Song, flute & piano;
Du Yun A Cockroach Tarantella*, narrator, string quartet and laptop.
*commission made possible by the Chamber Music America Commissioning Program, with funding generously provided by the Aaron Copland Fund for Music, and the Chamber Music America Endowment Fund.